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Home | DC AUTHORS | Let Us Celebrate Anew a Happy July 4th: Edifice of Gold / Edificio en Oro

Let Us Celebrate Anew a Happy July 4th: Edifice of Gold / Edificio en Oro

July 5, 2019 by Ana Maria Fores Tamayo Leave a Comment

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These poems I have published in several places now, but I would like to share them with you here to show you all that though our freedoms are presently threatened in this “land of the free & the brave,” people — asylum seekers from across the world — still seek this land, even with all its threats to our liberties.

We need to fight for them, for our future, as we remember the words,

“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.”

Here are my sonnets then, in both Spanish & English, which ever you prefer. Happy 4th of July: may we keep fighting for our real freedoms!

Edifice of Gold / Edificio en Oro
Hues of Gold
@ Ana M. Fores Tamayo

Edifice of Gold

She handed her little boy the gallon jug of water.
Drink, she said. But only a little. We need to walk much further
before reaching shelter.
The heat scorched through the haze of sun, yellow dog burning
into her skull, tiring her hold of the child she carried on her hip,
the other holding her hand wearily: mama, estoy cansado…
The men, further ahead, looked to them sullenly,
threatening to leave them behind in the ashen dust.

The sands turned golden, yet burnt merciless indentations of
their own brown death, relentless, imprinted heatedly heartless,
holding hostage her wretched hopelessness.
Yet she stumbled onward, thinking of her son, her baby girl wrapped in a homemade sling,
blinded to those ruthless men scurrying on without her.
She must dream only of that Eden paradise luring its edifice of gold, her feinted freedom?

Edifice of Gold / Edificio en Oro
Arenas de oro
@ Ana M. Fores Tamayo

Edificio en Oro

An interpretation, not a translation
(because translation is never poetry)

Ella le entregó a su pequeño hijo el galón de agua.
Bebe, le aconsejó. Pero solo un poco. Tenemos que caminar mucho más
antes de llegar al santuario.
A través de la bruma el sol ardiente la quemaba; ese perro en llamas
le hacía arder su cuerpo, forzándola a soltar el agarre de la niña que llevaba a su cadera,
el otro sujetando su mano: mami, estoy cansado …
Los hombres, adelante, miraban a los tres, ariscos,
amenazando con dejarlos atrás en el polvo ceniciento.

Las arenas se convertían en oro, pero quemaban muescas
de su propia muerte, implacables, ardiendo sin corazón,
teniendo como rehén a su miserable desesperanza.
Sin embargo, pensando en su hijo tambaleaba, su niña envuelta en un cabestrillo hecho en casa,
ciega a esos hombres que se escabullaban sin ella.
Tenía que soñar solo con ese Edén, su edificio en oro, su libertad ¿fingida?

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Filed Under: DC Authors Tagged With: Political Artwork

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About Ana Maria Fores Tamayo

Ana Maria Fores Tamayo is ABD in Comparative Literature from New York University, though she presently lives in Texas. She never completed her Ph.D. because motherhood got in the way: tenure and parenting do not mix. Thus she switched fields and worked in academic publishing for many years. She missed academia, however, and decided to return, only to find the Ivory Tower inhospitable to most educators. It did not take her long to take up their cause, beginning a petition for adjunct faculty, now with over 10,000 signatures. This grew into a Facebook forum for like-minded individuals to connect and organize. The past few years, Fores Tamayo expanded her work to reach out to those rendered invisible. She is trying to raise awareness of these marginalized peoples in order to erase borders. Her labor naturally grew from her work with students: DREAMers, undocumented students, and eventually asylum seekers from Mexico and Central America. Although this is heart-wrenching work, it is at the same time quite satisfying, being able to help others one to one. Working with diverse populations too, she is trying to make sure the disenfranchised become strong and have their voices heard. Her work can be seen in the Dallas/Fort Worth Refugee Support Network.

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